In the winter of 1969, I wandered through the hills of Solukhumbu before deciding to conduct my doctoral research in a Tibetan refugee village near Salleri, Nepal, composed mainly of Dingri people, farmers from hamlets clustered in the north shadow of Mt. Everest who’d fled into Nepal after 1962. Many of them had family members, monks and nuns who, when they arrived in Solu, joined a monastery, Thupten Choeling, newly established by Trukshik Rinpoche the young former abbot at Rhongbuk on the periphery of Dingri. (Above I’m pausing at Ringmo Pass during my search for an appealing research site.) A day’s walk apart, these two settlements would become my home for 11 uninterrupted months. From 1000s of interviews with Dingri-wa, I was able to assemble an ethnographic portrait of their homeland (published in Tibetan Frontier Families, and report on Pha Dampa Sangyas the renowned 12th C Yogi of Dingri Langkor. In 1985 I was able to step foot in Dingri, Tibet itself. I moved freely across Dingri plain stopping at villages and holy sites I knew from oral historical accounts by the refugees in Nepal. Drawing on several forays into Dingri we produced a new edition of Tibetan Frontier Families in 2011. These photos tell the story of my work at Thupten Choeling, my excursions across Dingri between 1985-1987 and my 1981 meetings with Chinese scholars in Beijing and Wuhan.
PhaDampa is often visualized in the repulsive body of the jealous yogi who stole PhaDampa’s original beautiful form.
PhaDampa is often visualized in the repulsive body of the jealous yogi who stole PhaDampa’s original beautiful form.
PhaDampa in his ugly body form is bejeweled and dark skinned in this depiction.
PhaDampa in his ugly body form is bejeweled and dark skinned in this depiction.
PhaDampa dark skin, round eyes, knotted hair and beard signify his South Indian origin. (This photo is reversed—the drum in always in his right hand)
PhaDampa dark skin, round eyes, knotted hair and beard signify his South Indian origin. (This photo is reversed—the drum in always in his right hand)
Tibetan artist Thargay visualized a red bodied PhaDampa in his, in his characteristic yogic chod ritual presentation
Tibetan artist Thargay visualized a red bodied PhaDampa in his, in his characteristic yogic chod ritual presentation
One image from the treasured Zhije Manuscript, PhaDampa Sangyas (l) with his disciple Kunde (r).
One image from the treasured Zhije Manuscript, PhaDampa Sangyas (l) with his disciple Kunde (r).
Commissioned by Trulshik Rinpoche in 1974, this is a detail of PhaDampa and his lineage, visualized by PangKema Gya-ba, Sherpa.
Commissioned by Trulshik Rinpoche in 1974, this is a detail of PhaDampa and his lineage, visualized by PangKema Gya-ba, Sherpa.
Detail of tangka showing the lineage of chod teachers who followed PhaDampa
Detail of tangka showing the lineage of chod teachers who followed PhaDampa
Karma Thinley Lama, a friend of BNAziz, drew his visualization of PhaDampa in his simplest form
Karma Thinley Lama, a friend of BNAziz, drew his visualization of PhaDampa in his simplest form
Artist Sherpa Dargya came from Mopon, a nearby village when commissioned by Thupten Choeling's abbot for a particular job. It is not unusual for specialists to stay and work temporarily at the monastery.
Artist Sherpa Dargya came from Mopon, a nearby village when commissioned by Thupten Choeling's abbot for a particular job. It is not unusual for specialists to stay and work temporarily at the monastery.
The Langkor Nangten relics of PhaDampa in the care of Ani Chode. When visitors arrive at the monastery she opens the relics and recites the history through them
The Langkor Nangten relics of PhaDampa in the care of Ani Chode. When visitors arrive at the monastery she opens the relics and recites the history through them
Ringmo Pass between Solu and Khumbu; arriving here in 1969, I moved from village to village before deciding on research with Tibetans from Dingri resettled in Solu
Ringmo Pass between Solu and Khumbu; arriving here in 1969, I moved from village to village before deciding on research with Tibetans from Dingri resettled in Solu
Arun River Valley, East Nepal
Poet Parijat and BNAziz became good friends through their devotion to Yogmaya Neupane, 1982, Kathmandu
It began in during the end of my decade of work with Sherpas and Tibetans in the hills of Nepal: I had encountered travelers at mass assemblies and on solitary treks, and from all cultures, seeking the blessings of divinities residing throughout the Himalayan landscape. My curiosity led me beyond the boundary of anthropology, setting me free to accompany worshippers to holy sites, from caves and lakes to confluences of Nepal’s rivers. This came to a climax with my arrival in the Arun River Valley where I uncovered a compelling story. Following faint traces left by two remarkable women Yogmaya Neupane and Durga Devi, I settled into a community of Hindu ascetics living on the shores of the Arun River to learn about them. Heir to a Silent Song (2001) and the newly published Yogmaya and Durga Devi, Rebel Women of Nepal (2020) are my accounts of those rebel women’s careers. Here is part of the story in pictures, along with photos of me and Nepali poet and political dissident Parijat and pictures from my visits with Limbu women in Terathum (see blog “Women’s Art and Other Work”).
Barbara Nimri with Nepali novelist Neelam Karki Niharika at the launch of Niharika’s novel “Yogmaya” 2018, Kathmandu
Mohan Basnet and villager welcome Barbara Nimri at Majhuwabesi, Nov. 2019, 38 years after her first visit there.
Nepali poet and activist Parijat welcomed Barbara Nimri to her home in 1981, Kathmandu for what grew to a deep friendship.
Barbara Nimri revisits Majhuwabesi in late 2019 at the time when rice is ready to harvest.
Companions at Manakamana prepared delicious meals for Barbara, adding yogurt and milk as a special treat.
These ascetics at Manakamana were delighted to share their history with Barbara Nimri on her many visits. 1980
With the popularity of Manakamana holy site (on the Arun River) pilgrims express devotion by embellishing the surroundings, 2019
Vishnumaya Dahal, companion to Durga Devi for 25 years: 1982, Manakamana.
Head of Manakamana, welcomed BNAziz offering her full license to write the women’s histories. They last met in 1985.
Vishnumaya Dahal in 2002 when BNAziz last met her. After her patron Durga Devi was no more, she moved permanently to Manakamana.
Bhaktini Gyantri moved to Manakamana, buid her own room, and took sanyasi vows when her husband took a new wife.
Parijat’s personal room was a meeting place for literary and political figures. Barbara Nimri was an uncommon outside visitor.
Kathmandu | 198_
Parijat with anthropologist Barbara Nimri Aziz. Aziz shared her discovery of Yogmaya’s story in the Arun Valley with Parijat, who in turn encouraged her intellectual associates to write about it and spurred the canonization of Yogmaya as Nepal’s first feminist.
Women staying at Manakamana tended gardens beside their huts to supplement grain brought from their family property.
Mata Damodara Giri reads the collected yogbani from a personal rare copy which she gifted to BNAziz on her second visit.
Yogmaya devotee ManaMaya spoke freely of her Guru and explained the meanings of Yogmaya’s utterances-- yogbani.
The ascetics at Manakamana were keen to demonstrate their devotion to Lord Shiva. In 1982 there were 32 residents.
Prayer hall and common places for Manakamana worshipers. The course of the great waterway has shifted to the west side since this 1983 photo.
Each resident of Manakamana Ashram built and maintained a simple home.
The mist, the Arun’s roar, and great boulders around Manakamana attract deities and worshipers alike.
Yogmaya devotee Nanda Devi led me to the Jal-samadhi, Majhuwabesi where her master and 68 followers perished in June 1940.
Bhattini Aama, Manakamana resident. Reciting yogbani while she slept nearby, her words awakened BNAziz to Yogmaya.
In 2012 Nepal’s Social Science Baha chairman Nirmal Tuladhar hosted a lecture on Yogmaya by BNAziz
The sacred ghat at Manakamana where Manakamana Goddess and Lord Arun dwell. This then became the site f the hermitage.
Zhi-Jhe Manuscript of Pha Dampa Sangyas’ Teachings
In the then new Tibetan monastery of Thupten Choeling in 1970, I came across a set of relics known as Langkor Nangten whose custodian, Ani Chodon, removed from her case and displayed for pilgrims to the monastery. Through those nine relics, she related to visitors the legend of the birth and arrival in Tibet of the 12th Century South Indian Yogi Pha Dampa. These treasured items had been secreted out of Dingri Langkor where Pha Dampa–“the black one”– had taught the philosophy known as Zhi-jhe. One of his best known disciples was MaChig Lab Chi Dolma who is now regarded as a chief practitioner of ZHi-jhe and its associated chod. My translation of the Legend of Langkor (see under books) and my talks with Abbot Trushik Rinpoche led to his revealing to me the treasured 12th C. manuscript. He invited me to photograph the entire text and with the help of the revered scholar E. Gene Smith the photographed material was eventually published in five volumes in Bhutan (and later in India). The exquisite illustrations which I observed I observed in the original and photographed are absent from those later reproductions. The original manuscript is no longer publicly available. To facilitate further research on the document, we post here for public use some of my original photographs of the illustrations. I also include other visualizations, tangka paintings of Pha Dampa and MaChig which I searched out and photographed over the years. The above illustration is from the ‘Ka’ volume of the manuscript (the tag 96 I assigned to help me during my work). Below are other illustrations from Volume 1 and 3.
Commissioned by Trulshik Rinpoche in 1974, this is a detail of PhaDampa and his lineage, visualized by PangKema Gya-ba, Sherpa.
Commissioned by Trulshik Rinpoche in 1974, this is a detail of PhaDampa and his lineage, visualized by PangKema Gya-ba, Sherpa.
Detail of tangka showing the lineage of chod teachers who followed PhaDampa
Detail of tangka showing the lineage of chod teachers who followed PhaDampa
Ma-Chig’s teacher PhaDampa and the Chod lineage are placed in the upper left corner of the tangka.
Ma-Chig’s teacher PhaDampa and the Chod lineage are placed in the upper left corner of the tangka.
Illuminated Zi-jeh manuscript Pha Dampa and his disciple Kun-ke
Illuminated Zi-jeh manuscript Pha Dampa and his disciple Kun-ke
Illuminated Zi-jeh manuscript, Pha Dampa and disciple Kun-kha
Illuminated Zi-jeh manuscript, Pha Dampa and disciple Kun-kha
PhaDampa and his disciple Kunde
PhaDampa and his disciple Kunde
Illuminated Zi-jeh manuscript: Pha Dampa and disciple Kun-kep
Illuminated Zi-jeh manuscript: Pha Dampa and disciple Kun-kep
Pha Dampa and Kun-ke
Pha Dampa and Kun-ke
Illuminated manuscript, a painting of one of Pha Dampa's associates in the ZiJeh text
Illuminated manuscript, a painting of one of Pha Dampa's associates in the ZiJeh text
Tibetan artist Thargay visualized a red bodied PhaDampa in his, in his characteristic yogic chod ritual presentation
Tibetan artist Thargay visualized a red bodied PhaDampa in his, in his characteristic yogic chod ritual presentation
PhaDampa dark skin, round eyes, knotted hair and beard signify his South Indian origin. (This photo is reversed—the drum in always in his right hand)
PhaDampa dark skin, round eyes, knotted hair and beard signify his South Indian origin. (This photo is reversed—the drum in always in his right hand)
PhaDampa in his ugly body form is bejeweled and dark skinned in this depiction.
PhaDampa in his ugly body form is bejeweled and dark skinned in this depiction.
PhaDampa is often visualized in the repulsive body of the jealous yogi who stole PhaDampa’s original beautiful form.
PhaDampa is often visualized in the repulsive body of the jealous yogi who stole PhaDampa’s original beautiful form.
Karma Thinley Lama, a friend of BNAziz, drew his visualization of PhaDampa in his simplest form
Karma Thinley Lama, a friend of BNAziz, drew his visualization of PhaDampa in his simplest form
MaChig Lab-chi Dolma, in a characteristic manifestation of the chod teaching posture for which she is famous
MaChig Lab-chi Dolma, in a characteristic manifestation of the chod teaching posture for which she is famous
One of the most common visualization of Ma-Chig with her practitioners displayed around her, including PhaDampa in the middle beyond her right knee.
One of the most common visualization of Ma-Chig with her practitioners displayed around her, including PhaDampa in the middle beyond her right knee.
MaChig LabChi Dolma: detail with Buddha’s image at her crown, is a more modern depiction of the 12th C. yogini.
MaChig LabChi Dolma: detail with Buddha’s image at her crown, is a more modern depiction of the 12th C. yogini.
Pha Dampe and Disciple
Pha Dampe and Disciple
PhDampa and Disciple 3
PhDampa and Disciple 3
Nepal Earthquake 2015
When the earthquake Naya Baazar neighborhood in Kathmandu Amrit School’s sports ground became a shelter for families in the neighborhood
Heading to Nepal on April 25, 2015 for ongoing work, I was airborne when the earthquake struck Kathmandu Valley and nearby villages. Like many sympathizers I witnessed the fear and uncertainty everywhere; we all gazed in trepidation at crumpled buildings and newly cracked walls. around us. All through the night for the next 10 days, we heard the roar of transport planes arriving with emergency supplies. The only thing to do was gather material help. So I became swept up in collecting funds for needy families whom I knew at Amrit School. When the second upheaval struck on May 15, hitherto unaffected areas in Solu were now calling for help. The huts of nuns at Thupten Choeling monastery were among those badly damaged, so I used funds I’d gathered sent there until their shelters could be rebuilt. Across the country, the death toll from the earthquake was limited to under 9,000 people. Still tens of thousands of homes, schools and other structures as well as historical monuments suffered severe damage.
In the aftermath of the quake, families camped alongside neighbors and strangers in any open spaces, including gardens and school yards.
Sanko Village N of the capital, hit by two bad tremors. I visited on May 15 to see the quakes prior damage when the second hit and sent us scurrying. Terrifying to be caught on trembling ground!
Sanko Village N of the capital, hit by two bad tremors. I visited on May 15 to see the quakes prior damage when the second hit and sent us scurrying. Terrifying to be caught on trembling ground!
Sanko Village N of the capital, hit by two bad tremors. I visited on May 15 to see the quakes prior damage when the second hit and sent us scurrying. Terrifying to be caught on trembling ground!
Sanko Village N of the capital, hit by two bad tremors. I visited on May 15 to see the quakes prior damage when the second hit and sent us scurrying. Terrifying to be caught on trembling ground!
Amrit schoolchildren in temp shelters during repairs
Amrit schoolchildren in temp shelters during repairs
The grand stupa at Bauddhnath was among many religious edifices around Kathmandu damaged by the April 25th quake. Abundant funds poured in for repairs that took more than 2 years to complete.
The grand stupa at Bauddhnath was among many religious edifices around Kathmandu damaged by the April 25th quake. Abundant funds poured in for repairs that took more than 2 years to complete.
The May 15th shock hit Solu Khumbu, including the nunnery at Thupten Choeling. Drums were gathered and sent there so nuns could store their few belongings during the monsoon rains until repairs were competed.
The May 15th shock hit Solu Khumbu, including the nunnery at Thupten Choeling. Drums were gathered and sent there so nuns could store their few belongings during the monsoon rains until repairs were competed.
Padma Magar not only lost her husband and daughter who perished in the quake. Her home and small shop that was her livelihood was crushed.
Padma Magar not only lost her husband and daughter who perished in the quake. Her home and small shop that was her livelihood was crushed.
Padma Magar is offered condolences from the school staff where her daughter who perished in the quake, had been enrolled.
Padma Magar is offered condolences from the school staff where her daughter who perished in the quake, had been enrolled.
Neighbors in Dallu, Kathmandu gathered under tarpaulins to cook, sleep and entertain one another while they waited for threat of more earthquakes to subside
Neighbors in Dallu, Kathmandu gathered under tarpaulins to cook, sleep and entertain one another while they waited for threat of more earthquakes to subside
Across Kathmandu for two weeks and more, residents slept out, side by side, in any open space. There were no reports of looting or theft.
Across Kathmandu for two weeks and more, residents slept out, side by side, in any open space. There were no reports of looting or theft.
The scene looks calm, but is is only minutes after a serious tremor. When the April 15 quake at noon struck everyone ran into any open space. Here visitors to Sanko village north of the capital, experiencing a second strike, wait in fear.
The scene looks calm, but is is only minutes after a serious tremor. When the April 15 quake at noon struck everyone ran into any open space. Here visitors to Sanko village north of the capital, experiencing a second strike, wait in fear.
RAWI authors’ table at a literary conference; calligrapher Nihad Dukhan at left, with samples of his modern calligraphy on display
On my assignments in Egypt, Syria, Iraq, Palestine, Jordan and Lebanon writers and other artists were among those I interviewed. Since recordings were in English I broadcast them on RadioTahrir along with my talks with others from across the Arab homelands. Those interviews attracted Arab writers in the US and I began reading their books and speaking with them on the same airwaves, right up up to 2013 when we wrapped up our successful weekly magazine. From their books and our interviews, I realized the extent of Arab-American literary talent; so I founded Radius of Arab American Writers Inc. (RAWI), and organization to link writers and promote each other’s work. Poet and artist Etel Adnan became our president. Together with RAWI’s board we published a 3x annual newsletter, convened conferences, arranged public readings, and sponsored writing contests and programs to support emerging talent. RAWI is honored to count eminent novelists and poets, filmmakers, and a few journalists in our membership: Naomi Shihab Nye, Lisa Majaj, Fady Joudah, Susan Muaddi Darraj, Laila Lalami, Khaled Mattawa, Mohja Kahf, Sahar Mustafa, Hayan Charara, Steven Salaita, Habeeb Salloum, Laila Buck, Cherine Dabbas, and Randa Jarrar.
Philadelphia based poet Daniel Abdul-Hayy Moore is author of a number of books He was always keen to perform his work on RadioTahrir at WBAI Radio hosted by BNAziz.
Philadelphia based poet Daniel Abdul-Hayy Moore is author of a number of books He was always keen to perform his work on RadioTahrir at WBAI Radio hosted by BNAziz.
Amani Al-Kassabany is a NJ-based writer. Her talent came to light when she won the RAWI-sponsored contest for short creative work. Here she is with BNAziz at the 2005 RAWI conference
Amani Al-Kassabany is a NJ-based writer. Her talent came to light when she won the RAWI-sponsored contest for short creative work. Here she is with BNAziz at the 2005 RAWI conference
London based novelist Adhaf Soueif was a RAWI board member. During a visit to NYC, RAWI sponsored a dinner in her honor.
London based novelist Adhaf Soueif was a RAWI board member. During a visit to NYC, RAWI sponsored a dinner in her honor.
original RAWI logo created for our founding by calligrapher Nihad Dukhan
original RAWI logo created for our founding by calligrapher Nihad Dukhan
Award-winning poet, children's book author and novelist Naomi Shihab Nye. A founding board member of RAWI, she is an award-winning author of numerous books.
Award-winning poet, children's book author and novelist Naomi Shihab Nye. A founding board member of RAWI, she is an award-winning author of numerous books.
Egyptian authors and political activists Sherif Hetata and Nawal Saadawi (a RAWI board member) during a lecture in New York.
Egyptian authors and political activists Sherif Hetata and Nawal Saadawi (a RAWI board member) during a lecture in New York.
Poet Suheir Hammad is also author several volumes including a memoir. Her poetic voice, strongly influenced by NY performers, brought new strength to Palestinian's political message
Poet Suheir Hammad is also author several volumes including a memoir. Her poetic voice, strongly influenced by NY performers, brought new strength to Palestinian's political message
Toronto-based Habeeb Salloum is a widely published non-fiction writer specializing in travel, cuisine and Arab history. He is author of several volumes.
Toronto-based Habeeb Salloum is a widely published non-fiction writer specializing in travel, cuisine and Arab history. He is author of several volumes.
San Francisco-based poet Ziad Shlah invokes many images of his homeland, Iraq, in his writing.
San Francisco-based poet Ziad Shlah invokes many images of his homeland, Iraq, in his writing.
Deema Shihabi is a San Francisco-based poet.
Deema Shihabi is a San Francisco-based poet.
Novelist Laila Lalami's first book "Hope and Other Dangerous Pursuits" established her as a promising literary voice. She followed that with several successful novels including "The Moor's Account". (see book review section)
Novelist Laila Lalami's first book "Hope and Other Dangerous Pursuits" established her as a promising literary voice. She followed that with several successful novels including "The Moor's Account". (see book review section)
Writers at the RAWI conference in Detroit knew one another from their writings. The gathering was important for them to meet and exchange in person as well as perform for one another
Writers at the RAWI conference in Detroit knew one another from their writings. The gathering was important for them to meet and exchange in person as well as perform for one another
Poet Mohja Kahf reading at a RAWI-sponsored event in NYC. One of the most refreshing voices in Arab American poetry, Kahf is also a novelist and scholar
Poet Mohja Kahf reading at a RAWI-sponsored event in NYC. One of the most refreshing voices in Arab American poetry, Kahf is also a novelist and scholar
Film director Rola Nassef, scholar Rabab AbduHadi, poet and scholar Lamees AlAnthari with BNAziz at RAWI conference.
Film director Rola Nassef, scholar Rabab AbduHadi, poet and scholar Lamees AlAnthari with BNAziz at RAWI conference.
"Kallimuna" -speak to us- the theme of the first 2005 RAWI conference, convened at Hunter College, NYC and drawing 65 Arab American writers from across the country
"Kallimuna" -speak to us- the theme of the first 2005 RAWI conference, convened at Hunter College, NYC and drawing 65 Arab American writers from across the country
Nawal El-Saadawi welcomed by friends in NYC
Nawal El-Saadawi welcomed by friends in NYC
Sherif Hetata novelist (l) and author/activist Nawal El-Saadawi at a lecture in NYC 1990
Sherif Hetata novelist (l) and author/activist Nawal El-Saadawi at a lecture in NYC 1990
Nawal El-Saadawi portrait 2010?
Nawal El-Saadawi portrait 2010?
On Assignment in Baghdad and other Arab Capitals
Starting in 1987, through the Persian Gulf war of 1991 and reaching a peak with the 2001 and 2003 US-led invasions of Afghanistan and Iraq, these countries along with Syria, Palestine, Egypt, Lebanon and Kuwait were highlighted in mainstream media by conflict and the publicly applauded pursuit of ‘terrorists’. My earlier familiarity with the Arab World was a timely resource I drew on during the next decade of journalistic assignments to the region. Tapping my network of Arab writers, artists, doctors and teachers I wrote about educational and cultural issues of little no concern to other reporters. With the imposition of the cruel global embargo against Iraq’s population following its military misadventure into Kuwait, being already familiar with Iraq, I joined a handful of international activists in what would become a 12-year effort. We published and spoke to sparse audiences about the cultural and humanitarian impact of the US-led and UN-endorsed blockade. I reported through Pacifica Radio and wrote in alternative press outlets. My book Swimming Up The Tigris was published in 2007 only after the American and European public’s taste for that war subsided somewhat. (The 1991 photo above is at the Baghdad Press Center when satellites were newly introduced and not widely available so several news outlets shared one facility.)
Kerbala, Iraq in the rain. Landscape in watercolor, 1990. Iraqi artist Abdul Ameer Alwan is famous for his bucolic Kerbala watercolors.
Kerbala, Iraq in the rain. Landscape in watercolor, 1990. Iraqi artist Abdul Ameer Alwan is famous for his bucolic Kerbala watercolors.
Traffic on Iraq’s relatively new 4lane superhighway from Baghdad to the border of Jordan came to a halt for many years when all commerce was halted due to the embargo. Only occasional journalists used the route.
Traffic on Iraq’s relatively new 4lane superhighway from Baghdad to the border of Jordan came to a halt for many years when all commerce was halted due to the embargo. Only occasional journalists used the route.
1998. Famous Iraqi caricaturist Burhan Al-Mufti used his pen to portray the severity of the global embargo.
1998. Famous Iraqi caricaturist Burhan Al-Mufti used his pen to portray the severity of the global embargo.
Cuneiform writing at Nineva wall in North Iraq, photographed 5000 years later by BN Aziz in 2001. "The engraving was so sharp, I felt as I moved my fingertips over the relief that they were newly carved." A surreal experience.
Cuneiform writing at Nineva wall in North Iraq, photographed 5000 years later by BN Aziz in 2001. "The engraving was so sharp, I felt as I moved my fingertips over the relief that they were newly carved." A surreal experience.
Iraq: during pauses in battle an Iraqi soldier used his notepad to sketch a boot; 1980s.
Iraq: during pauses in battle an Iraqi soldier used his notepad to sketch a boot; 1980s.
Iraq, 2015. Famous caricaturist Burhan Al-Mufti satirizes his nation’s new democracy.
Iraq, 2015. Famous caricaturist Burhan Al-Mufti satirizes his nation’s new democracy.
2002, Iraq Art Festival announcement. Even under the punishing embargo with so much unavailable, Iraqis were determined to celebrate their great history and culture.
2002, Iraq Art Festival announcement. Even under the punishing embargo with so much unavailable, Iraqis were determined to celebrate their great history and culture.
"We do not really live in a country, so much as its language lives within its people”, by Iraqi poet Ghani Alani.
"We do not really live in a country, so much as its language lives within its people”, by Iraqi poet Ghani Alani.
Iraq. The same soldier artist who sketched the boot on a sheet of his notebook, offers his self portrait; 1980s
Iraq. The same soldier artist who sketched the boot on a sheet of his notebook, offers his self portrait; 1980s
University of Baghdad Dept. of Archeology staff Arwa and Adiba set out for Sippar excavation site south of the capital,1989, accompanied by BN Aziz
University of Baghdad Dept. of Archeology staff Arwa and Adiba set out for Sippar excavation site south of the capital,1989, accompanied by BN Aziz
Farmers, sisters-in-laws, at Yusufiya Village, South Iraq, 1989, by BNAziz.
Farmers, sisters-in-laws, at Yusufiya Village, South Iraq, 1989, by BNAziz.
Nazira Al-Radi and BN Aziz, Baghdad, Iraq, 1995., 5 years into the embargo, with no one knowing when it might end
Nazira Al-Radi and BN Aziz, Baghdad, Iraq, 1995., 5 years into the embargo, with no one knowing when it might end
Nazira (l) and her sister Suad (r) flank fellow Al-Radi family members and the author at their farm outside of Baghdad, 1995. It would never again be the carefree retreat they had enjoyed before 1990
Nazira (l) and her sister Suad (r) flank fellow Al-Radi family members and the author at their farm outside of Baghdad, 1995. It would never again be the carefree retreat they had enjoyed before 1990
BNAziz at the great archway of Ctesiphon, (height 121 ft), along with Iraqi weekend visitors, Iraq, 1989.
BNAziz at the great archway of Ctesiphon, (height 121 ft), along with Iraqi weekend visitors, Iraq, 1989.
Damascus, Syria – Teaching Media 2009 – 2012
Between 2009 and 2010 I was a staff member in a fledgling educational exchange program that brought together college-aged Syrians and Americans, first in New York, then in Damascus. I remained in Syria during 2010-2011, hired as an instructor at the prestigious Arab Institute for Media and Broadcasting, a pan-Arab agency based in Damascus. There I conducted workshops for Arab media professionals . Based on my courses on interviewing and sound editing, I was asked to produce handbooks. The first, Short Features for Radio: A Manual for Broadcast Journalists, was published in 2010 (in Arabic, with an English CD supplement). (Accompanying photos from both programs are from a Syria unrecognizable after 2012, a Syria unknown to people without the good fortune of visiting the country before then.)
BNAziz and other staff with students in the second of 2 Syrian-American students exchange visits 2008-2010.
BNAziz and other staff with students in the second of 2 Syrian-American students exchange visits 2008-2010.
Damascus’ many cafes offered a relaxed atmosphere for language tutorials. Here BNAziz is with student Alia.
Damascus’ many cafes offered a relaxed atmosphere for language tutorials. Here BNAziz is with student Alia.
Old stone Damascene houses were converted into popular restaurants. BNAziz with fellow journalists MahmoudS (news anchor-left) and Nida Aslan (radio host-right)
Old stone Damascene houses were converted into popular restaurants. BNAziz with fellow journalists MahmoudS (news anchor-left) and Nida Aslan (radio host-right)
At the Syrian Media Center, BNAziz organized a course in interviewing skills for TV and radio journalists.
At the Syrian Media Center, BNAziz organized a course in interviewing skills for TV and radio journalists.
Twenty-five journalists from across Syria attended this course on interviewing skills
Twenty-five journalists from across Syria attended this course on interviewing skills
The Arab Broadcasting Center in Damascus developed courses for professional journalists from across the region.
The Arab Broadcasting Center in Damascus developed courses for professional journalists from across the region.
The Arab Broadcasting Center class was a hands-on exercise in the TV studio, watched by coach and fellow journalists.
The Arab Broadcasting Center class was a hands-on exercise in the TV studio, watched by coach and fellow journalists.
Participants in the interviewing skills course attentively observed fellow journalists in training.
Participants in the interviewing skills course attentively observed fellow journalists in training.
Participants in media courses used real studio settings for their skills training.
Participants in media courses used real studio settings for their skills training.
Students listen excitedly to fellow journalists critique their interviews.
Students listen excitedly to fellow journalists critique their interviews.
Syrian journalist Mahmoud Al-Sheik was a valued assistant in the program, Short features for Radio.
Syrian journalist Mahmoud Al-Sheik was a valued assistant in the program, Short features for Radio.
Students of our course Short Features for Radio learned editing as well as production.
Students of our course Short Features for Radio learned editing as well as production.
Radio workshop students came from all fields of journalism, yet eagerly learned new editing skills on programs used worldwide.
Radio workshop students came from all fields of journalism, yet eagerly learned new editing skills on programs used worldwide.
Radio Workshop students eagerly report to Al-Sheik and BN Aziz on their editing progress.
Radio Workshop students eagerly report to Al-Sheik and BN Aziz on their editing progress.
Our students in the radio features workshop, more than fifty percent of them women, were professionals from around Syria.
Our students in the radio features workshop, more than fifty percent of them women, were professionals from around Syria.
Rola and Hanan, like others in the course, helped each other in their sound editing decisions
Rola and Hanan, like others in the course, helped each other in their sound editing decisions
Syrian Sociologist Amira Shehade also produced a weekly TV show for children. One day she invited me on set to meet some of the young actors.
Syrian Sociologist Amira Shehade also produced a weekly TV show for children. One day she invited me on set to meet some of the young actors.
Fulbright Year in Algeria
A Fulbright Year in Algeria Provided an Eye-opening Experience to the Western Side of the Arab World. A train along the northwest coast linking Oran with the capital was a weekly delight, passing orange groves and Olive tree farms, with occasional sighting of the Mediterranean to the north. Between semesters from the University of Oran, I was able to travel by road further east to Constantine near the Tunisian border, and south to the desert cities in Al-Oued. Even though El-Oued seemed like a distant land, it was still relatively near the coast. The vast Saharan deserts that would border Mali far to the south remains many thousand miles south and west of El-Oued.
Professor Neema Ghanem and BNA at her home in Oran
Professor Neema Ghanem and BNA at her home in Oran
Franz Fanon, a hero of the Algerian Revolution, remains a revered figure and is celebrated at annual events across Algeria
Franz Fanon, a hero of the Algerian Revolution, remains a revered figure and is celebrated at annual events across Algeria
Most of Algeria is sahara-desert where homes are protected by walls, while in the interior courtyard, a carpet of sand provides relief form the heat
Most of Algeria is sahara-desert where homes are protected by walls, while in the interior courtyard, a carpet of sand provides relief form the heat
Beya Rezk, host/producer of interview and call-in shows on El-Oued Radio in Algeria's far eastern desert town. She has up-to-date digital tools for her work.
Beya Rezk, host/producer of interview and call-in shows on El-Oued Radio in Algeria's far eastern desert town. She has up-to-date digital tools for her work.
The Catskills of New York Becomes a Modest Alternative to The Himalayas
The Catskills region of upstate New York went through a neglected phase between 1950 and 2010. In pursuit of solitude to write and continue her radio productions. In 1998, I found a quiet riverside retreat, and relocated to its utter dark and silent hills from an increasingly crowded, flashy Manhattan. From my new home, I took breaks in order to revisit Nepal and Arab capitals on journalistic assignments and for followup research. Returning from abroad to my upstate home I found new pleasures in my dramatically changing environment abundant with wild life. But I still enjoys occasional excursions into familiar neighborhoods of Manhattan.
The sound of trees being felled is too common in our quiet hamlet. After the saws turn silent the main job remains--hauling the trunks away
The sound of trees being felled is too common in our quiet hamlet. After the saws turn silent the main job remains--hauling the trunks away
Hydrangea blooms in my own yard.
Hydrangea blooms in my own yard.
House repairs mean frequent visits, even by amateurs, to Home Depot..
House repairs mean frequent visits, even by amateurs, to Home Depot..
There are an increasing number of nice places to drink and dine with friends but more visitors disturb the once bucolic towns and valleys.
There are an increasing number of nice places to drink and dine with friends but more visitors disturb the once bucolic towns and valleys.
Spring means multi shades of green to wander through.
Spring means multi shades of green to wander through.
Felling trees is a highly scientific process but passers-by should still keep clear. Logging is part of the upstate economy, but homeowners and municipalities have to regularly remove trees because of hazards they pose.
Felling trees is a highly scientific process but passers-by should still keep clear. Logging is part of the upstate economy, but homeowners and municipalities have to regularly remove trees because of hazards they pose.
Beaverkill River mist is reminiscent of the Arun River on whose shores I once lived and worked. See photos under Nepal
Beaverkill River mist is reminiscent of the Arun River on whose shores I once lived and worked. See photos under Nepal
A solid personal library is essential to supplement what's available at the 47 libraries in the Catskill rural exchange system
A solid personal library is essential to supplement what's available at the 47 libraries in the Catskill rural exchange system
The Beaverkill, although a small river, has many moods. It changes day-to-day, season-to-season, year-to-year.
The Beaverkill, although a small river, has many moods. It changes day-to-day, season-to-season, year-to-year.